IN SEARCH FOR CONSISTENT INVESTMENT
YOU´D BETTER INVEST IN ART.ALAN GREENSPAN, CHAIRMAN US FEDERAL RESERVE, 1987 - 2006
IN SEARCH FOR CONSISTENT INVESTMENT
YOU´D BETTER INVEST IN ART.ALAN GREENSPAN, CHAIRMAN US FEDERAL RESERVE, 1987 - 2006
In 1951 Richard Fischer was born in Manila, Philippines. He was educated at International School and Da La Salle College. In 1963 he moved to Europe. Finals at Hermann Lietz Schools, Degree of Economics at Spöhrer and Heidelberg Business Schools, Studies at Academy of Fine Arts, Mannheim. Masters at Academy of Photography, Munich. Participation in international cinematography productions, i.e. Gruppenbild mit Dame by Heinrich Böll, Berlin. Director's guidance at photo studios in Essen, Frankfurt, Hamburg and Vienna. Works and lives in Germany and France, runs his own studio for Visual Arts & Photography since 1978.
Art Work for Sunday Times Magazine (UK), Stern Magazin (Germany), L’ illustré/ (Switzerland), Geo (Italy), Frankfurter Allgemeine Sonntagszeitung (Germany), Edition Braus, Edition Panorama, teNeues Publishing Houses (Germany), Thames & Hudson Publishing House (UK), Süddeutsche (Germany), Daily Mail (UK), DIOR (France), FAZ Magazin (Germany), Bare Essentials Journal (Australia), TERRA MATER (Austria), Ideal Hors Paris (France), ELLE (Niederlande), DIE ZEIT (Germany), GRAZIA (Italia), Schöner Wohnen (Germany), QUO/ (Spain), ATRIUM (Switzerland), Marie Claire (Italy) and PDN Photo (USA).
ART is MAN added to NATURE.
Francis Bacon
2020 | Flower Art Museum Amsterdam, Netherlands |
2020 | Appeltern Art Fair, Appeltern, Netherlands |
2020 | Gallery Sous Terre, Lithoijen, Netherlands |
2021 | Gallery Sous Terre, Lithoijen, Netherlands |
2021 | BURN-IN Gallery, Vienna, Austria |
2021 | Hong Art Museum, Chongqing, China |
2021 | Appeltern Art Fair, Appeltern, Netherlands |
2021 | Gallery Sous Terre, Lithoijen, Netherlands |
2021 | ART Innsbruck, Austria |
2022 | BURN-IN Gallery, Vienna, Austria |
2022 | Pashmin Art Gallery, Kaifeng Art Space, China |
2022 | Gallery Sous Terre, Lithoijen, Netherlands |
2022 | Appeltern Art Fair, Appeltern, Netherlands |
2023 | Appeltern Art Fair, Appeltern, Netherlands |
2023 | Sous Terre Gallery, Lithoijen, Netherlands |
2023 | Flower Art Museum, Aalsmeer, Netherlands |
2023 | Sous Terre Gallery, Lithoijen, Netherlands |
2024 | Sous Terre Art Fair and Exhibition, Lithoijen, Netherlands |
2010 | United Nations, Palais des Nations, Geneva, Switzerland |
2011 | Red House Originals, Harrogate, Great Britain |
2012 | Galerie Winterberg, München, Germany |
2013 | Open Air im Überseequartier, Hamburg, Germany |
2014 | Kunstverein Mannheim, BRAUS Collections, Germany |
2015 | Kunstmesse ART, Galerie Hoffmann, Germany |
2015 | Galerie Jean Michel, Berlin, Germany |
2015 | Deutsche Stiftungstage, Karlsruhe, Germany |
2015 | Palais Hirsch, Schwetzinger Festspiele, Germany |
2016 | Kunstmesse ART, Galerie Hoffmann, Germany |
2018 | Museum Kurpfalz, BRAUS Collections, Germany |
2018 | Umweltbundesamt, Dessau, Germany |
2018 | Moulin, Nègrepelisse, France |
2019 | Fotografar, São Paulo, Brazil |
2019 | Flower Art Museum Amsterdam, Netherlands |
2001 | Deutsches Architektur Museum, Frankfurt/Main, Germany |
2001 | Art Directors Club, New York, USA |
2001 | Art Directors Club, Berlin, Germany |
2002 | Airport Council International, Tokyo, Japan |
2003 | Art Directors Club, Berlin, Germany |
2004 | Print Media Lounge, Heidelberg, Germany |
2005 | Kunsthalle, Mannheim, Germany |
2005 | Print Media Lounge, Heidelberg, Germany |
2006 | Galerie Edition Braus, Heidelberg, Germany |
2006 | Photokina World Fair, Köln, Germany |
2007 | Galerie Winterberg, München, Germany |
2007 | Open House, Bishops Residence Rbg., Germany |
2007 | Casino Wiesbaden, Germany |
2007 | Museum of Art, Ningbo, China |
2007 | German-Chinese Society, Karlsruhe, Germany |
2008 | City Library, Ahlen, Germany |
2009 | Museum of Art, Ningbo, China |
2009 | Sixteen Art Space, Hangzhou, China |
2009 | Gallery p 13, Heidelberg, Germany |
1990 | Goethe Institute, Brussels, Belgium |
1990 | Photography Forum, Frankfurt/Main, Germany |
1991 | Gallery K 61, Amsterdam, Netherlands |
1991 | Photokina World Fair, Köln, Germany |
1994 | L-Bank, Stuttgart, Germany |
1997 | Haus der Wirtschaft, Stuttgart, Germany |
1998 | Haus der Wirtschaft, Stuttgart, Germany |
1999 | Museum für Kunst & Gewerbe, Hamburg, Germany |
1982 | Galerie Compagnie, Hamburg, Germany |
1983 | National Film Theatre, London, Great Britain |
1984 | National Film Theatre, London, Great Britain |
1988 | Heidelberg University Library, Germany |
1989 | Recontres Intern. Photographie, Arles, France |
1989 | Sparkasse Oldenburg, Germany |
1989 | Salon den Photo, Paris, France |
Richard Fischer, the contemporary Karl Blossfeldt.
It is time to redefine culture. Defining the Anthropocene Age is not just a question of finding the appropriate term for humankind's many adverse effects on nature. Above all, it's about us reflecting on pertinent social needs in an ecological manner. Without a responsible perceptive, life is no longer possible. Anthropocene is not merely an epoch but gives reason to the relevance of art. Art is part of human expression and, therefore, part of our identity.
Richard Fischer
Richard Fischer believes in parallelism between Art and Nature.
Having studied art and graduating in his Masters of Photography he presents an extraordinary view, treating each and every blossom as a Queen on her very own majestic stage.
Fischer explains: It is a matter of perceiving, cropping to detail, using meticulously arranged lighting, printing the results onto specially selected photographic paper to enlighten the viewer as never before. It's right in front of us. Nature has created its own unique form of art. It’s all about the artist´s striking interpretation attracting the spectators view to nature’s wonders.
Richard Fischer convincingly demonstrates how enriching flora on Planet Earth actually is by merely picking blossoms, isolating them from their mother plants and roots, photographing them in front of a neutral backdrop so that we may precisely observe, better understand, pay our respect and hopefully help preserve our sensitive and endangered environment.
Christoph von der Heide, Journalist
Truly, art is embedded in nature;
he who can extract it, has it.
Albrecht Dürer
Photographer Richard Fischer won the Kodak Panther Prize, the prestigious International Kodak Photo Calendar Award for best concept and photography out of more than 1.000 entries worldwide. His flower photography has also been granted at the Merit, Red Dot Design, the if Design and German Japan Exchange exhibition Awards. Shortly he has taken the International Gregor Silver Award and the International Award of Excellence.
1983 | Merit Award, Art Directors Club, Germany |
1995 | Epica Award, Paris/Düsseldorf, Germany |
1996 | Kodak International Panther Awards, Rochester, USA |
1996 | Epica Award, Paris/Stuttgart, Germany |
1997 | Merit Award, International Calendar Show, Germany |
2001 | Merit Award, Art Directors Club, New York, USA |
2001 | Merit Award, International Calendar Show, Germany |
2005 | Merit Award, International Calendar Show, Germany |
2005 | Red Dot Award |
2005 | IF Design Award |
2005 | German Designers Club Award |
2006 | International Kodak Photo Award |
2007 | Merit Award, International Calendar Show, Germany |
2007 | Merit Award, German – Japan Exchange Exhibition |
2016 | Gregor International Silver Award, Germany |
2017 | Award of Excellence, Gregor International Awards, Germany |
Richard Fischer was nominated for the Prix Pictet Third Cycle launched at Les Rencontres d’ Arles, 2010.
Francis Hodgson, photography advisor and critic of the London based Financial Times, also former head of Photographs at Sotheby's, London nominated Richard with his floral art work. A specialist in photography of many years standing, Francis Hodgson is unusual in having worked at a senior level both in the cultural and in the commercial aspects of photography.
Launched in 2008 by the Geneva-based private bank Picket & Cie, the Prix Pictet has rapidly established itself as the world’s leading prize in photography and sustainability. It has a unique vital mandate to use the power of photography to communicate vital messages to a global audience. The goal is to uncover art of the highest order, applied to confront the pressing social and environmental challenges of the new millennium.
The prize currently plays to a global audience of over 400 million. The exhibitions of photographs shortlisted for the cycles of the Prix Pictet have toured the world, so far they have been shown in Paris, Thessaloniki, Dubai, Hong Kong, Eindhoven, Dresden, Bonn, London, Berlin, Lausanne, Geneva, Dublin and Moscow. Further exhibitions are planned.
Together these photographs by the artists shortlisted for the Prix Pictet highlight the beauty of the earth we share. But they also expose the damage, deliberately or carelessly, we are inflicting on our own environment. So these images are a celebration and a reminder of the urged need to change our ways.
Kofi Annan, the Prix Pictet’s Honorary President
IUCN Vision
Influence, encourage and assist societies throughout the world to conserve the integrity and diversity of nature and to ensure that any use of natural resources is equitable and ecologically sustainable.
IUCN, Mission statement
The International Union for Conservation of Nature, IUCN, is the world's oldest and largest global organisation, and was founded in 1948. It participates in government activities, businesses and other stakeholders by providing information and advice, and through building partner-ships. The organization is best known to the wider public for compiling and publishing the IUCN Red List of Threatened Species, which assesses the conservation status of species worldwide.
Richard was nominated as Commission on Education and Communication (CEC) member in 2011. The CEC drives change for the co-creation of sustainable solutions through leading communication, learning and knowledge management in IUCN and the wider conservation community.